How ‘The Crown’ Re-Created Buckingham Palace

No location is off-limits to TV, as this year's Emmy nominees for VFX in a supporting role can attest. Move the Brandenburg Gate to Prague for 'Genius'? Travel back...

How ‘Feud’s’ Production Designer Resurrected an L.A. Landmark

Judy Becker reveals dining booths were "custom-made" to re-create former Hollywood dining hotspot Perino's as design pros from 'Stranger Things,' 'The Crown' and more Emmy-nominated series also share how...

How ‘The Night Of,’ ‘Big Little Lies’ Bring a Cinematic Feel to TV

More film cinematographers are migrating to TV. read more

EditFest: ‘Star Wars’ Editor Urges More Diverse Stories in Film

"There's still a long way to go," said Oscar-winning editor Richard more

GKIDS Acquires ‘The Big Bad Fox & Other Tales’

The animated feature comes from a team behind Oscar-nominated 'Ernest & Celestine.'read more

‘Detroit’: How the Movie’s Editor Vowed “Not to Be Exploitive in Any Way”

Editor William Goldenberg reteamed with Kathryn Bigelow to examine an act of police brutality during the 1967 Detroit more

SIGGRAPH: ‘Guardians 2,’ ‘Spider-Man’ Secrets Revealed by Marvel VFX Teams

Marvel exec vp of production Victoria Alonso offered an inside look at how more than 2,000 visual effects shotswere created for each more

Is the Golden Age of 3D Officially Over?

As Imax scales back and box office diminishes, insiders say blame for the retreat of the once mighty format rests with more

‘Book of Life’ Director Developing ‘Lego’ Film (Exclusive)

Jorge Gutierrez is taking over a project that has been called 'The Billion Brick Race.'read more

GKIDS Acquires ‘Mary and the Witch’s Flower’

'When Marnie Was There' helmer Hiromasa Yonebayashi more

SIGGRAPH: ‘Beauty and the Beast’ VFX Presentation Canceled for “Legal Reasons”

Issues surround the facial capture system MOVA, which was used to create the more

Weta Working on “Even More Ambitious” ‘Avatar’ Sequels

Its VFX in the 2009 original won an more

SIGGRAPH: Spider-Man Swings in to Celebrate Imageworks’ 25th Anniversary

The annual CG confab is set to open at the Los Angeles Convention Center on July more

How ‘Dunkirk’ Took Imax Cameras Where They’d Never Gone Before

Cinematographer Hoyte van Hoytema explains how Christopher Nolan's WWII epic was filmed with Imax and 65mm film cameras: "We'd get so close and witness dogfights in the open air."read...

‘Dunkirk’ Could Launch a 70mm Film Presentation Renaissance

Warners bought the projectors that the Weinstein Co. restored for 'The Hateful Eight,' and now other filmmakers are eyeing future releases in the more